Thursday, May 7, 2020
Themes, Motifs and Symbols in A Midsummer Nights Dream Essay
  Throughout the play, ââ¬Å"A Midsummer Nightââ¬â¢s Dream, written by William     Shakespeare, are several themes, motifs, and symbols. Dreams are a reoccurring theme.     Dreams are connected to the unexplainable and mysterious events, occurring in the     woods. ââ¬Å"A Midsummer Nightââ¬â¢s Dreamâ⬠ can be compared to ââ¬Å"The Tempestâ⬠, also     written by Shakespeare, because it contains the same theme of dreams- ââ¬Å"That, if I then     had waked after long sleep, / Will make me sleep again: and then, in dreamingâ⬠ (3.2. 139-    140, Caliban) Contrast of appearances verses reality is a common motif throughout the     play. It is leading the lovers into believing that the fantasies, which they are experiencing     are real, even though they are extremelyâ⬠¦show more contentâ⬠¦what visions have I seen!\ Methought I was enamourd of an ass.â⬠ (4.1. 63-64).     Titania is uncertain whether her vision is a dream or reality, because dreams are soon     forgotten, while Titaniaââ¬â¢s vision is conspicuously detailed and memorable. In act five,     scene two, at the end of the play, Puck also is desiring for the audience to view the play     as a vision, which is appearing, but is no more clear than a dream- ââ¬Å"While these visions     did appear./And this weak and idle theme,/ No more yielding but a dream,â⬠ (5.2. 47-49)     There is much confusion distinguishing reality from dreams. Therefore, dreams are an     important and reoccurring theme, throughout the play.     A frequently occurring motif, throughout the play, is contrast between appearances     verses reality. The flowerââ¬â¢s love juice is causing lovers to blindly fall in love, with the     first person they lay their eyes on, after waking up. In act three of the play, Titania is     falling in love with the donkey headed, Bottom- ââ¬Å"On the first view, to say, to swear, I     love theeâ⬠ (3.1. 117). In act two, Lysander is under the flowerââ¬â¢s love spell, and his true     love for Hermia, is being transformed into false love for Helena. Lysander has an     unrealistic fantasy of Helena, and his fantasy of Hermia is drastically worsening- ââ¬Å"Get     you gone, you dwarf; /You minimus, of hindring knot-grass made;/ You bead, you     acorn.â⬠ (3.2. 362-364). The love spell is causing unrealisticShow MoreRelatedThe Theme of Love in A Midsummer Nights Dream by William Shakespeare1563 Words à  |à  7 PagesThe Theme of Love in A Midsummer Nights Dream by William Shakespeare         In A Midsummer Nights Dream, Shakespeare presents us with multiple     types of love by using numerous couples in various different     situations. For example: Doting loves, the love induced by Oberons     potion and in some aspects, Lysander and Hermias love for each other;     there are true loves: Oberon and Titania, Lysander and Hermia (for the     first half at least, as Lysanders love switches to Helena     temporarily)Read MoreContext Taming of the Shrew1767 Words à  |à  8 PagesThe Taming of the Shrew is one of Shakespeareââ¬â¢s earliest comedies, and it shares many essential characteristics with his other romantic comedies, such as Much Ado About Nothing and A Midsummer Nightââ¬â¢s Dream. These characteristics include light-hearted and slapstick humor, disguises and deception, and a happy ending in which most of the characters come out satisfied. The light-heartedness of these romantic comedies contrasts sharply with the darker humor and deeper characterization of Shakespeareââ¬â¢sRead MoreThe Theme Of Homo Eroticism Within The Play As You Like It And How It Differs From Various Other3688 Words à  |à  15 Pages  Within this analysis, I will inquire into the theme of homo-eroticism within the play As You Like It and how it differs from various other plays written by Shakespeare and elaborate on how ground-breaking this play was during the time it was written and when it was performed, the differences in social constructs between then and now  the differing views of society in the time it was written and the present day.  As You Like Its first performance was in London in 1740, a time when popular literature    
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